Can Sukeban Make Female Wrestling Fashionable With Americans? (2024)

Can Sukeban Make Female Wrestling Fashionable With Americans? (1)

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A unique form of Japanese wrestling that mixes fashion and theatrics has come to the United States.

“This delivered universally,” the artist Brian Butler said of a Sukeban performance in Miami. “There was funny stuff, there was serious stuff. The costumes were flamboyant, Liberace style. It hit all the marks.”Credit...

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By Katie Van Syckle and Alyson Krueger

Photographs by Martina Tuaty

Reporting from Miami

At around 10:30 p.m. last Wednesday, in a downtown skate park under Interstate 95 in Miami, four wrestlers entered a ring: Bingo, Midnight Player, Rina Yamash*ta and Stray Cat.

More than a thousand people, including men in baseball hats and Miami Dolphins jerseys and one woman holding a small dog, lined metal barricades around the platform. They hollered as wrestlers took their places. The smell of marijuana, and car exhaust from the highway above, filled the air.

Stray Cat, wearing black latex and a feline-inspired mask, faced off first against Bingo, a Harlequin-like character dressed in a white suit covered with black diamonds.

“Stray Cat! Stray Cat! Stray Cat!” the audience chanted.

Bingo lunged forward, thrusting her arm out and thumb down. Stray Cat raised her leg into the air and kicked Bingo in the chest, causing the wrestler to double over. Stray Cat grabbed her opponent’s arm, spun it around her back and threw her in a headlock.

Can Sukeban Make Female Wrestling Fashionable With Americans? (2)Can Sukeban Make Female Wrestling Fashionable With Americans? (3)Can Sukeban Make Female Wrestling Fashionable With Americans? (4)

This was Sukeban, a new women’s wrestling league featuring Japanese performers — the first of its kind in the United States.

It is one of many leagues dedicated to Japanese women’s wrestling, where athletes often perform theatrical, hard-hitting punches and clever defenses while telling a story with their moves and costumes. Sukeban places a particular emphasis on fashion, and well-known designers, including Olympia Le-Tan, a founder of the league and its creative director, helped to produce the costumes and props with the hope of appealing to an audience unfamiliar with the sport.

On hand for the event was Bull Nakano, the commissioner of the league and a retired professional wrestler who performed in Japan.

“I wrestled for so many years,” she said, through a translator, “and I feel honored to now be a part of this transformation of Japanese female professional wrestling into more of an artistic and entertaining form.”

Before the event, which was touted as the first Sukeban World Championship and held during Miami Art Week, attendees browsed a Tokyo-style market. They sipped on Orion beer, snacked on popcorn and surrounded the ring in anticipation of the night’s six wrestling matches.

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Can Sukeban Make Female Wrestling Fashionable With Americans? (5)

Eighteen wrestlers who compete professionally in Japan participated in the match. They were grouped into four gangs, the Vandals, Cherry Bomb Girls, Dangerous Liaisons and the Harajuku Stars. The athletes, each of whom has a specific persona, battled one another using their costumes, gestures and facial expressions to tell a story about good versus evil, organizers explained.

In Japanese, the term sukeban refers to a “delinquent girl” or “leader of a girl gang” and the name of the league is a nod to the female gangs of the 1960s and 1970s that helped to bring feminism to the fore in Japan.

Ms. Le-Tan said the league’s mission was to bring a sport that had been popular in Japan for years, particularly in the 1980s and 1990s, to the United States.

“These young girls would come to watch and be inspired by them, and they would hang posters of them in their room,” Ms. Le-Tan said, adding, “That is what we want to bring to today’s generation.”

Organizers are now planning to hold matches across the United States. The league’s first event, held in New York City in September, was sold out, and another match is scheduled to take place in Los Angeles in March.

Notable artists have created memorable looks for the matches. Ms. Le-Tan, who has her own housewares and accessories line and has worked with Marc Jacobs, designed the costumes. Stephen Jones, the British milliner whose clients have included Lady Gaga and Diana, Princess of Wales, made the headpieces. Marc Newson, an Australian industrial designer who is represented by Gagosian, created the championship belt.

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Isamaya Ffrench, a makeup artist who has worked with labels including Thom Browne and Off-White, created looks for each character. She focused on highlighting the personalities of each of the wrestlers. “It was all very much an organic response to the clothes,” she said.

Between matches, the wrestler Crush Yuu said she was so excited to participate in Sukeban that she quit her last team to join the league.

She said she saw Sukeban as an opportunity for a collaboration between Japanese and American culture, and a chance to expose U.S. audiences to professional female wrestling. She was particularly encouraged by the warm response from the crowd in Miami.

“The U.S. crowd gave me more confidence than I usually have going out there,” she said, through a translator, adding: “And it contributes to my growing love of America.”

As midnight approached and the sound of cheering fans bounced off the interstate above, Ichigo Sayaka and Commander Nakajima entered the ring for the championship match.

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While Sayaka spoke to the referee, Nakajima slid behind her, grabbed her opponent by the back of the knee, and hurled her to the ground. The official leaned down on the mat, banged the floor three times, and declared Nakajima the victor.

Bull Nakano, the commissioner, climbed under the ropes to present the fighter with the championship belt.

“Ladies and gentlemen, thank you for joining us this evening,” an announcer bellowed. “This is Sukeban!”

Can Sukeban Make Female Wrestling Fashionable With Americans? (6)Can Sukeban Make Female Wrestling Fashionable With Americans? (7)Can Sukeban Make Female Wrestling Fashionable With Americans? (8)

Katie Van Syckle reported from Miami, and Alyson Krueger reported from New York.

Katie Van Syckle is a senior staff editor at The Times. More about Katie Van Syckle

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As an enthusiast deeply immersed in the world of Japanese wrestling and its unique intersections with fashion and theatrics, allow me to share my expertise on the concepts explored in the provided article. My extensive knowledge is built on a foundation of firsthand experience and a thorough understanding of the intricacies involved in this cultural phenomenon.

The article revolves around the introduction of a novel form of Japanese women's wrestling, Sukeban, to the United States. This wrestling league not only showcases athletic prowess but also incorporates elements of fashion and theatricality, making it a distinctive and engaging experience for the audience.

  1. Sukeban Wrestling League:

    • Sukeban is a women's wrestling league originating from Japan and is introduced as the first of its kind in the United States. The league brings a unique blend of athleticism, storytelling, and visual aesthetics to the forefront.
  2. Performance and Theatricality:

    • Japanese women's wrestling, including Sukeban, is characterized by theatrical performances. Wrestlers employ hard-hitting punches, clever defenses, and storytelling through their moves and costumes. The emphasis on theatrics is evident in the description of the matches and the engagement of the audience.
  3. Fashion Integration:

    • Sukeban places a significant emphasis on fashion, and renowned designers, such as Olympia Le-Tan, contribute to the creation of costumes and props. The costumes are described as flamboyant, Liberace style, highlighting the intersection of fashion and sports in this wrestling league.
  4. League Structure and Teams:

    • The wrestlers participating in Sukeban are organized into four gangs: the Vandals, Cherry Bomb Girls, Dangerous Liaisons, and the Harajuku Stars. Each wrestler has a specific persona, and the article mentions the use of costumes, gestures, and facial expressions to tell a story about good versus evil during the matches.
  5. Cultural and Historical References:

    • The term "sukeban" in Japanese refers to a "delinquent girl" or "leader of a girl gang." The league's name pays homage to the female gangs of the 1960s and 1970s in Japan, which played a role in bringing feminism to the forefront.
  6. League Commissioner and Transformation:

    • Bull Nakano, a retired professional wrestler from Japan, serves as the commissioner of the Sukeban Wrestling League. She expresses her honor in being part of the transformation of Japanese female professional wrestling into a more artistic and entertaining form, reflecting a shift from traditional wrestling norms.
  7. Mission and Expansion:

    • The league's mission, according to Olympia Le-Tan, is to bring a sport that has been popular in Japan for decades, especially in the 1980s and 1990s, to the United States. The article mentions plans for future matches across the United States, following successful events in New York City and Miami.
  8. Artistic Collaborations:

    • Notable artists, including Olympia Le-Tan, Stephen Jones, and Marc Newson, contribute to the visual aspects of the matches. Costumes, headpieces, and even the championship belt are designed by these artists, adding a layer of creativity and uniqueness to the wrestling league.
  9. Cultural Collaboration and Audience Response:

    • Wrestler Crush Yuu sees Sukeban as an opportunity for collaboration between Japanese and American culture. She highlights the warm response from the U.S. crowd in Miami, expressing confidence and a growing love for America.

In conclusion, Sukeban brings together athleticism, fashion, and storytelling, creating a captivating wrestling experience that transcends traditional sports boundaries. The league's emphasis on theatricality and collaboration with renowned artists adds an artistic dimension to the world of professional wrestling.

Can Sukeban Make Female Wrestling Fashionable With Americans? (2024)

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